In the royal capital of Kumasi, where gold gleams not just in ornaments but in tradition, the beating of fontomfrom drums signals a sacred rhythm. Every six weeks, beneath the regal splendor of Manhyia Palace, the Ashanti people pause — not for entertainment, but for remembrance.
This is Akwasidae — the festival of ancestral veneration and royal homage. Held in alignment with the Akan calendar, it is one of the most revered rituals in Ashanti culture — a moment when the living commune with the dead, and loyalty to the Golden Stool is renewed.
Akwasidae is not tied to a single season. It is cyclical — occurring every 42 days — reflecting the Ashanti worldview where time flows like a drumbeat: constant, sacred, and significant.
“To honor the ancestors is to honor ourselves.”
At its heart, Akwasidae is about remembrance. The Ashanti believe that ancestors do not die — they transition. They remain active in the affairs of the living, offering guidance, protection, and spiritual presence. The festival is their audience — and the Asantehene, the King of Ashanti, their high priest and living symbol of continuity.
Akwasidae follows a sacred order of traditional and spiritual rituals that transform Manhyia Palace into a royal sanctuary:
Private Ancestral Communion
The day begins in quiet reverence. The Asantehene enters the Nana Dwa — the sacred stool room — where ancestral stools representing departed kings and royals are kept. Libation is poured, and prayers are offered. It is a solemn, unseen dialogue between past and present.
Offering at the Bantama Mausoleum
Traditional priests and elders perform rituals at the Bantama Royal Mausoleum — the final resting place of Ashanti kings and queen mothers — to invoke blessings and honor their spirits.
Grand Durbar of the Asantehene
Later, the palace grounds come alive. Dressed in majestic kente, gold regalia, and surrounded by a royal entourage, the Asantehene holds court. Chiefs, dignitaries, and citizens alike come to pay homage. It is not just a political event — it is a spiritual reaffirmation of loyalty to the king, the ancestors, and the nation.
Drumming, Dancing, and Display of Tradition
The air vibrates with the sound of ancient drums — kete, adowa, and fontomfrom. Dancers move with grace and purpose, warriors display martial traditions, and praise singers recount the heroic deeds of Ashanti royalty.
Akwasidae is not a ritual of the past — it is a renewal of values. It teaches:
That leadership is sacred, not just political
That the dead are not forgotten, but revered
That unity must be continually affirmed through tradition
It is a living theology — a festival where royalty and spirituality embrace in full view of the people.
While the Ashanti Kingdom is modern and evolving, Akwasidae remains a steadfast cultural anchor. Whether the Asantehene is welcoming foreign dignitaries or engaging the youth, the festival reminds all that progress without foundation is fragile.
Akwasidae adapts — incorporating education, civic dialogue, and heritage promotion — but its soul remains untouched. The Golden Stool still symbolizes the soul of the Ashanti nation. And Akwasidae ensures that it continues to shine.
Today, Akwasidae attracts not only Ashantis from across Ghana and the diaspora but also cultural enthusiasts, historians, and dignitaries from around the world. It is a festival that transcends borders — a visual, spiritual, and emotional portrait of African royalty and ancestral dignity.
For the Ashanti, it is not a show. It is a covenant.
To witness Akwasidae is to step into living history. You will see tradition walk in gold, hear memory sung in praises, and feel the pulse of a kingdom that does not just remember — it reveres.
Akwasidae is not just a festival.
It is a sacred ceremony.
A rhythmic reunion of the living and the dead, the royal and the humble, the past and the present.
What makes Akwasidae enduring is its spiritual discipline and regal poise. It teaches:
That ancestry is not about nostalgia, but grounding
That culture, when honored, can elevate a nation
That true leadership listens not only to the people — but to the ancestors
Ready to experience it for yourself?
Start planning your cultural journey into the soul of Ghana.
Other websites - Not shown within our main site-map:
3 girls selling fruits and food at the road side. (c) Strictly by Remo Kurka (photography)